With 'Across the Spider-Verse,' Phil Lord and Chris Miller 'blow the doors open'

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With 'Across the Spider-Verse,' Phil Lord and Chris Miller 'blow the doors open'
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In “Spider-Man: Across the Spider-Verse,” Christopher Miller and Phil Lord set out not just to surpass the high bar of their 2018 original but upend big-studio animation and the more-of-the-same expectations of sequel-making.

Gwen Stacy and Miles Morales have just reunited in the “Into the Spider-Verse” sequel. After giddily swinging through New York skyscrapers, they perch themselves on the underside of a clocktower ledge. Their view is ours: An upside-down city, shimmering in the distance.

“Everything is the wrong way, but if feels right,” says Phil Lord, who wrote and produced “Across the Spider-Verse” with Christopher Miller. In the movies of Lord and Miller, a filmmaking duo since they met in college at Dartmouth, down is frequently up, and up is often down. They’ve turned seemingly terrible ideas — a Lego movie, a “21 Jump Street” movie — into original works of antic, innovative comedy. One of their crowning achievements,

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