In her Sunday night performance, the acclaimed Peggy Gou kicked off with an intensity that turned the crowd into a writhing carpet of dancers.
South Korean DJ Peggy Gou oozes superstar quality, and on Sunday night she transformed Sidney Myer Music bowl into an electric altar to both music and the past.The artist – who during her career has performed across the world including at iconic nightclub Berghain in her now-home of Berlin – opened with an unanticipated intensity that set the stage for a ’90s throwback.
The set evolved, gathering texture: pulsing synth instruments, klaxons, Latin rhythm, Eurodance and numerous house mix favourites, from Masters at Work’sGou tugged us along with familiar fragments, bumps of nostalgia that made our brains fizz and turned us into a writhing carpet of dancers. The few album hits she dropped she played like a rock star, pulling back duringIt sounds messy, but Gou curated with characteristic restraint.
It’s her playful, postmodern pastiche that hits our yearning for a golden age of club electronic dance music, the fashions and flashing lights of a decade most of this crowd barely experienced. She carries performances with understated poise and power, loosening her hair before a beat drop, drawing from her mid-set cigarette with effortless chic as she leads us to euphoria.
The breadth and boldness of the orchestra’s back catalogue was on vivid display, as we heard excerpts of works spanning its rich history. The musicians on stage, too, were hand-picked to illustrate various stages of the AAO’s evolution, with several founding members sitting alongside younger players such as Sofia Carbonara .
Shibe is a classical guitarist also interested in exploring the expressive possibilities of the electric guitar. Using the classic instrument in the first half, he delivered an atmospheric opening with a solo rendition offrom a 17th-century manuscript, full of haunting delicacy.
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