Powerhouse producer Jodi Matterson is behind a string of hits, including The Dry and The Lost Flowers of Alice Hart.
Does anyone know what producers do? I don’t think so – in which case Jodi Matterson may be the most important person in Australian TV and film you’ve likely never heard of. In the past five years, she’s produced shows that have topped the Australian box office, set records for global streaming audiences and brought as much as $500 million into the Australian economy. Her films includeYet she’s unknown outside the industry.
Matterson took six days off when her baby Sidney was born in March – and fielded calls and emails all the time.Peter Brew-Bevan. Hair & make-up by Max Serrano; Styling by Jolyon Mason. Matterson wears Bottega Veneta croc embossed trench, knit, earrings and boots. Bowen, meanwhile, who is young with a quirky, intense air, is finishing his curry. “Jodi gave me a chance,” he says, referring to his job as director on. “We’ve known each other for years and years. She was the first person I came out to. She’s really good at supporting you, but letting you find your own way.”) and heads into a concrete-floored editing suite.
Riccobono laughs: “I did enjoy talking to her! She was so tenacious, so enthusiastic. And she did keep adding these little bits to the story, so I’d put it forward again. She was just so determined. It was like there was this tiny gap, and she just squeezed through.“– replete with AC/DC music, songs, images and bad school uniforms – was one of the top Australian films of 2004.
Matterson, for her part, has no public comment to make about the events of 1998. She did not know either Papandrea or Hutensky during Hutensky’s time at Miramax. Made Up Stories was founded in 2017, just as the first #MeToo was the first film Matterson made fully under the Made Up Stories banner. It won three AACTA awards and is the 14th highest grossing Australian film ever, beating.
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