Budding impressionists have been learning the 19th century tradition of painting outdoors to capture the romance of the Australian bush.
abc.net.au/news/artists-paint-en-plein-air-to-capture-romance-of-australian-bush/101892046Originating from the French impressionist movement of the 1860s and popularised by Paris artists such as Claude Monet, painting en plein air evolved as a technique when paints became available in tubes.
Facilitated by accomplished artists Kynan Sutherland and Robert Maclaurin, who are exhibiting at the Gippsland Art Gallery in March, participants have spent leisurely days on the bush property with their easels, capturing their environment before gathering for briefings, discussions and feedback on their work.
"If you're loving the sky, how it's looking right now, with great big rolling grey clouds, you grab that straight away and get it down on the canvas," he said. "You're feeling the temperature of the day, you're feeling the wind, you're watching the light change, you're brushing away the flies, you're chasing the rag that's just blown away in the wind — it's this three-hour moment."
One of the challenges of painting Australian landscapes is depicting the irregular and unpredictable aesthetics of the bush, which is at odds with the clean-cut, contoured and manicured lines and shapes of Europe. "Instead of trying to make them all obedient individuals, it's important that they get to be the kind of ratbags that they are."
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