This article delves into Wim Wenders' photographic exploration of the American West, focusing on his series 'Written in the West', which served as preparation for his film. Wenders discusses his motivations for the project, emphasizing the importance of light and landscape in shaping his cinematic vision. He shares anecdotes from his travels, highlighting encounters with notable figures like Jim Jarmusch, Isabella Rossellini, and Martin Scorsese, and revealing the unexpected discoveries that emerged during his journeys.
, Wim Wenders set out on a road trip through Texas, Arizona, New Mexico and California. The trip resulted in the photo series Written in the West, which was first exhibited in 1986 at the Centre Pompidou in Paris. ‘It was another way of preparing for the film, a different kind of research that had less to do with locations than with the light in the west,’ says Wenders.
‘I had never made a film in that landscape and was hoping that taking photographs would sharpen my understanding of the light and landscape, my sense of empathy with it’ ‘Very often, the ideas you have in advance about the colours in a film quickly begin to look tired. So my only aim in taking these photos was to improve my own capacity to react to colours; to become more open to colours; simply to get to know them better. I took a whole lot of photos purely for the colours, which was quite a new departure for me’
‘In the middle of the godforsaken Valley of the Gods, and after not seeing any other car for hours, we came upon a car parked by the side of the road. It was jacked up and a man’s legs were sticking out from under it. We stopped behind it to see if we could help.
PHOTOGRAPHY FILMMAKING WIM WENDERS AMERICAN WEST LANDSCAPE
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